Country Arts SA 25

Keeping the Waves Rolling

MOMENT 23 • 2013

Rippling out from the Mouth-of-the-Murray town of Goolwa, where it all began in 2012 with the state’s Regional Centre for Culture, the people of the Alexandrina region were the beneficiaries of the highest concentration of arts seen anywhere in regional Australia, ever.

On the south coast, they know how to surf a wave.

Which is just as well, because from 2012-2014 the waves just kept rolling.

Rippling out from the Mouth-of-the-Murray town of Goolwa, where it all began in 2012 with the state’s Regional Centre for Culture, the people of the Alexandrina region were the beneficiaries of the highest concentration of arts seen anywhere in regional Australia, ever.

Being ‘shovel-ready’ won the region two more years as a federally funded arts stimulus pilot, it was a clear-cut choice to host the national arts conference Kumuwuki/Big Wave given the huge community-based artistic program on tap and, emerging from a ten-year drought, it was a natural collaborator in Change & Adaptation, a resilience and wellbeing focussed suite of arts projects embedded in the service delivery of the health and environment sectors over the same period.

So where was Alexandrina in 2015 when the music stopped – when four incredible years of state and federal funding came to an end? How many people were left high and artistically dry? Very few as it happens and, well the music never actually stopped. The Alexandrina community had passed the point of no return—the voice for change had become more articulate and there was a strong sense that the community could no longer live without arts as a fundamental part of daily life.

Still called Just Add Water, in recognition that growth and new life are encouraged by taking action, a rich and diverse artistic package regenerates annually, driven by a confidence to transform aspiration into expression, the will to celebrate artistic achievement and a greater accord within council and with the community.

The ripples had disregarded council boundaries and lapped into nearby Victor Harbor where a healthy, motivating envy ensured they’re no longer to be upstaged and into Coonalpyn, where memories of the action from Ripples Murray Bridge in 2010 also lingered, spurring them to an arts-led revival of their tiny town successful beyond their wildest imaginings.

For us, it navigated a new course across regional South Australia, embracing a holistic, artist-centric philosophy where matching artists with communities to make new work and interconnected experiences lead to richer engagement for everyone.

Written and researched by Jo Pike for Country Arts SA

24
2016

Breaking the Fourth Wall

The fourth wall is a theatrical convention in which an invisible, imagined wall separates actors from the audience and they behave on stage as if they can’t see us. ‘Breaking the fourth wall’ typically describes those moments during a performance when actors speak directly to the audience.

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