Country Arts SA 25

The Art of Conversation

MOMENT 10 • 1999

The first national regional arts conference in 1998*, in which we had also added a discrete two-day event for community arts workers, led inevitably to the desire for gatherings at a state level, to delve more deeply into more local matters and celebrate art-making on our own soil, especially that of the host community. The first of these in Port Augusta in 1999 set a precedent for collaboration with the host communities in years to come that would see our relationships with local government in particular grow exponentially.

Now that we can do almost anything with a screen, we still crave face-to-face conversation and the exchange of energy and inspiration that brings. The greater the distance between you and your peers, the less the opportunity arises to participate in discussion, debate and decision-making, to exchange and expand knowledge and to seek advice and feedback.

The first national regional arts conference in 1998*, in which we had also added a discrete two-day event for community arts workers, led inevitably to the desire for gatherings at a state level, to delve more deeply into more local matters and celebrate art-making on our own soil, especially that of the host community. The first of these in Port Augusta in 1999 set a precedent for collaboration with the host communities in years to come that would see our relationships with local government in particular grow exponentially.

Overarching themes (‘Can culture save the river and wetlands’ for Goolwa 2003, for instance) would throw a spotlight on artmaking as a means to tease out political and social concerns, host communities shared their towns, their artists and their achievements with their regional counterparts and people came together to find the means to deliver rich cultural experiences in their own communities.

These state-wide gatherings were especially mindful of the benefits of developing a broad skills base amongst the countless volunteers without whom very little could be achieved on the ground.

Scores of forums, workshops, conferences, road trips, salons and advisory group meetings later, the face to face gathering is still the primary sharing tool – not to mention the widely acknowledged benefits of solving problems with a barbecued morsel and a beverage in hand!

*Moment 7: The National Stage

Written and researched by Jo Pike for Country Arts SA

11
2001

Not Just a Spectator

Being a spectator is OK up to a point. Sometimes it’s best to stand back and admire. But sometimes we long to know more about what lies beneath these human endeavours – the inspiration, the technical achievement, the questions they raise. And sometimes it’s great to be around when the line between spectator and participant becomes more indistinct.

Read more
Read more